Krokodil Issue No. 16 from 1982: Soviet Satire Featuring Microcalculators & Art

Description Krokodil Issue No. 16 from 1982: Soviet Satire Featuring Microcalculators & Art

Krokodil — Issue No. 16, June 1982

Discover a satirical take on microcalculators, an illustration by Krylov, and a story on Czechoslovakian culture.

About this issue

This issue of Krokodil, published in June 1982, offers a satirical look at the use of microcalculators in Soviet society, questioning their true utility. Readers will find an engaging illustration by artist Krylov that humorously critiques contemporary technological changes.

Additionally, the magazine includes a cultural piece highlighting aspects of life in Czechoslovakia, reflecting the Soviet interest in Eastern European affairs during this period.

Highlights

• Satire on Microcalculators. A humorous commentary on the role of microcalculators in workplaces, questioning their effectiveness compared to traditional methods.
• Krylov's Illustration. An engaging drawing by Krylov that humorously critiques the integration of technology in everyday life.
• Czechoslovakian Culture. An article exploring cultural elements of Czechoslovakia, reflecting Soviet interest in their Eastern European neighbors.
• Fictional Humor. Short fictional stories that blend humor with social critique, typical of Krokodil's style.
• Artistic Cartoons. A series of cartoons that provide a visual satire on contemporary issues in the Soviet Union.
• Soviet Workplace Dynamics. Articles discussing the dynamics within Soviet workplaces, often with a humorous twist.

...and there is far more to discover inside — additional reports, striking photo spreads and period advertising await.

Why it matters

This issue of Krokodil is a valuable piece for researchers interested in Soviet satire and culture during the early 1980s. It captures the humor and critiques of technological advancements like microcalculators, as well as offering insights into Soviet perspectives on Eastern Europe, particularly Czechoslovakia. The magazine serves as a cultural artifact that reflects both the internal and external socio-political dynamics of the USSR during this period.